By Jerrold Levinson
Jerrold Levinson, probably the most popular philosophers of paintings this present day, provides a brand new number of essays, following on from his 4 past collections, Music, artwork and Metaphysics (1990), The Pleasures of Aesthetics (1996), Contemplating Art (2006), and Musical Concerns (2015).
Aesthetic Pursuits particularly enhances Levinson's final quantity, Musical Concerns, through accumulating contemporary essays now not all in favour of song, yet as a substitute concentrating on literature, movie, and visible artwork, whereas addressing problems with humour, good looks, and the feelings. The essays in Aesthetic Pursuits, that are wide-ranging, will attraction strongly to aestheticians, artwork fans, and philosophers alike.
The quantity includes seven formerly unpublished essays by way of Levinson, during which the writer seriously engages with amazing modern contributions to aesthetic theory.
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Additional info for Aesthetic Pursuits: Essays in Philosophy of Art
23 Nevertheless, Iseminger prefers to reply to Carroll’s argument in another fashion, claiming that the key to avoiding its conclusion is to make the distinction between the experience the two people are having and what might be called the total state of mind that they are in. . The aesthetic state of mind is not merely the experience of tracking formal and expressive features but . . the state of mind in which, while tracking such features . . one ﬁnds this tracking valuable for its own sake.
Still, it is clear that in ordinary contexts, when one reports having had an aesthetic experience, it is assumed, unless otherwise indicated, that the experience undergone was of a positive nature, that it was neither a regrettable nor a forgettable experience. That an aesthetic experience is normally understood to be an experience of positive character, that positive aesthetic experience is the default for aesthetic experience, is something of a grammatical fact, so to speak, and not a mere matter of statistical frequency.
52. Iseminger 2005, p. 103. The qualiﬁer “on some level” is meant to signal that although valuing most often involves conscious and reﬂective endorsement, in some cases the endorsement that is in place may be unreﬂective and not wholly conscious. Stecker 2005, pp. 49–50. TOWARD AN ADEQUATE CONCEPTION OF AESTHETIC EXPERIENCE 27. The notion of valuing as a substantial act, one with an experiential dimension, has had some notable proponents. One such was Edmund Husserl, the founder of phenomenology.
Aesthetic Pursuits: Essays in Philosophy of Art by Jerrold Levinson