Nancy Reyner's Acrylic Revolution. New Tricks and Techniques for Working PDF

By Nancy Reyner

Liberate Your Creativity with Acrylic Paints!

Acrylic Revolution is your crucial, all-in-one consultant for acrylic portray options and extra. It good points over one zero one how one can holiday throughout the barriers of traditional portray and re-define the inventive capability of this all-purpose medium.

Every web page offers perception on the best way to use acrylic paint in methods you by no means suggestion attainable to create lovely visible results and textures. Ten whole sections aspect a number empowering purposes, together with how to:

  • Prepare and paint on nearly any surface
  • Create textures of all kinds
  • Work with transfers, university, resists and combined media
  • Achieve leading edge stenciling and line work
  • Customize your paint to regulate thickness, transparency and drying time
  • Simulate different mediums, reminiscent of oil, tempera or watercolor
  • Create fake finishes, magical results, sheens and more

To offer you extra perception and suggestion, this e-book encompasses a gallery of complete works by way of fellow portray revolutionaries that mix a variety of acrylic concepts to create remarkable results. you will additionally locate functional suggestion that covers the fundamentals and beyond—from picking out fabrics and cleansing your brushes to completing and keeping your paintings. there is even a whole word list of phrases for quick and straightforward referencing.

Pick up a broom and begin your personal acrylic revolution this present day! Use the thoughts during this publication to loose your inventive spirit and create the work you have consistently dreamed of.

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Extra info for Acrylic Revolution. New Tricks and Techniques for Working with the World's Most Versatile Medium

Sample text

Don’t press hard into the paper; make sure you lift your palette knife slightly off the paper, as if there were a ball rolling under your knife. If the color you can make your paint opaque applied over the black lines is very streaky, or if you can see the black lines under the For this technique you’ll need opaque colors, so if your color is transparent, you can color, then this color is transparent. If the color goes on smoothly with no streaks and make it opaque by adding a small amount of Titanium White.

The tube firmly. Press the end of the tube onto your support and squeeze the tube while moving it across the support. Most of the components of this piece were made separately, allowed to dry, then recombined by gluing them together in an assemblage. Dried paint was shaved into small pieces and compressed into multicolored sheets using a press. These sheets were then stacked and cut into shapes. Paint was also applied directly to this surface from the tubes. E. Newman 33 Section 3 Surface Treatments and Grounds 19 absorbent surfaces When a surface is extremely smooth, light will reflect off the sur- face, and it will appear shiny or glossy.

For a support larger than the width of the comb, drag it a few times in rows. After each drag, wipe off the excess paste before continuing. Repeat with vertical lines, dragging the comb for a crosshatched effect. Use a very light touch when you change directions or you will eliminate the horizontal lines. Let the surface dry. This painting began with a textured surface made with combs and gels. Iridescent copper was used as an underpainting beneath overlays of interference glazes and a collage of torn tissue and vellum papers.

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Acrylic Revolution. New Tricks and Techniques for Working with the World's Most Versatile Medium by Nancy Reyner

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